Category Archives: Movies

Fleeting: Miss Saigon Characters (Wish List: Round Two)

Last month, I started a character breakdown of potential major roles in a possible Miss Saigon adaptation of the musical for film and started with the non-Vietnamese characters and even included “The Engineer” into the round up.

Next up we have the Vietnamese characters which includes Kim, Thuy, and the callgirls from Dreamland… so let’s start with the elephant in the room: Kim.

Oh… and as a fair warning… I am going to be on a major soap box when it comes to Kim. So please just bear with me and humor me while reading this…

KIM
As mentioned in my original Miss Saigon Wish List, I will (personally) only be content with the casting of Kim iff (if and only if):

[...] The future production team of the Miss Saigon film takes a page from the Memoirs of a Geisha film production [...] Although there is a lot of hype surrounding Jessica Sanchez and she has the blessing of Lea Salonga it will not work if the characters that are suppose to be Vietnamese natives are speaking near-perfect English.

How is that not appropriate? Well according to Kim herself:

I’m seventeen, and I’m new here today
The village I come from seems so far away

Not only that but when “The Engineer” introduces Kim to the other callgirls he also mentions:

Surprise!
I found this new girl, get her dressed
From the country untouched

She is fresh from the country where (for anyone that has ever been to Việt Nam) chances are high that her English is not only weak, but her accent is very strong. Granted… if EVERYONE in the film was one nationality (like how everyone in Les Miserables was French) I wouldn’t be jumping off the deep end with everybody have to have an accent or weak English… because everyone is from the same cultural background… in this case, we have two very different cultures colliding. What works for the stage isn’t going to work for film from my vantage point.

So what would I consider to be the most appropriate? Looking back at my original post:

A Vietnamese American, perhaps someone along the lines of Jacqueline Nguyen the believed first Vietnamese-American to ever play the role of Kim in Miss Saigon. If a touring production was able to find Jacqueline Nguyen there must be someone comparable or better if the net was tossed wide enough.

There are major Vietnamese communities in Chicago, Orange County (there is after a several block radius also know as “Little Saigon” there), and Texas. Tap into those areas… you’d be surprised with the results. Granted, considering that Memoirs of a Geisha did not cast the lead with a Japanese actress they did have a point as to why:

A director is only interested in casting someone he believes is appropriate for a role. For instance, my character had to go from age 15 to 35; she had to be able to dance, and she had to be able to act, so he needed someone who could do all that. I also think that regardless of whether someone is Japanese or Chinese or Korean, we all would have had to learn what it is to be a geisha, because almost nobody today knows what that means–not even the Japanese actors on the film.

Anyway… I’m getting off my soapbox.

THUY
He eventually becomes part of the Việt Minh, which would mean that his English could be pretty poor. Also he is most likely a Vietnamese national… not only that but according to the lyrics:

KIM
[...] We were promised at thirteen
The woman I’ve become is not the same

THUY
That promise made by your father I will claim when we win
To break a vow of your parents is worse than a sin

KIM
My parents got themselves killed in the week you changed side
If there were promises all of them died when they died

Typically country folk arrange marriages with their neighbors… and taking a similar approach as with Kim above there really isn’t much question as to how Thuy should be cast. Anyway… I am not touching that soap box.

CALLGIRLS: Gigi, Mimi, Yvette, Yvonne
How much do you guys want to bet that the callgirls’ names are no where near what their real names probably are? In any case there is a lot of flexibility that can happen with casting here. Yvette and Yvonne are French in original so they could be closer to “The Engineer” in the sense that they look Eurasian.

They all appear to have been part of Dreamland for quite some time, so their “mastery” of the English language is stronger than that of Kim’s or Thuy’s. However, their accents still need to be rather strong… though one could get away with them having a weaker accent than that of Kim’s and Thuy’s. It might even been their worthwhile to have Yvette and/or Yvonne to have more of a French accent since there were schools throughout Việt Nam where French was the primary language (how do I know this? I have family members whose primary education were in a French primary school… so don’t rail at me. :D ).

Then again there isn’t much that we know of the callgirls of Dreamland, except for “The Movie in Their Minds” as it were, this could be rectified in the film with a couple of additional songs, or a reworking of the script / book… but really as long as they stay true to what I mentioned with Kim above and apply it to the callgirls (with a little more flexibility thrown in) it will be ok… for the most part.

So this is round two of the Miss Saigon Character Wish List… which all the main characters / players already mentions what’s left? Well I am sure you guys are curious as to what other parts could be available for the taking? In Miss Saigon Characters (Wish List: Round Three), I will personally take the time to look through the scripts I have on hand and point out cameos that are worth a look-see.

Until then…

Fleeting: Modern Adaptations of Old Classics (Jane Austen Edition)

Much like how I did with various Modern Adaptations of Shakespeare’s Classics here is a quick list of various modernizations of Jane Austen’s novels that I have seen and appreciated on some level (so this is by no means a comprehensive list by any stretch of the imagination):
EMMA
Clueless

PRIDE AND PREJUDICE
Bride and Prejudice
I Love You Because
The Lizzie Bennet Diaries

Now the interesting thing to note is that I actually did a little bit of research about this and realized that out of six of Jane Austen’s novels only two have been modernized and adapted whilst still keeping the intergrity of the primary storyline and the majority of the characters.

Rather odd if you ask me.

Granted one of the major modernizations that most everyone would know about but I have yet to have seen would be Bridget Jones’ Diary. Now why haven’t I seen it? Simple, because all the clips and trailers I have found online haven’t lured me enough to have any kind of desire to watch the movie itself. It is simple not my cup of tea from what I have been able to see. Sad isn’t it?

So since I have already devoted several posts to The Lizzie Bennet Diaries I am not going to touch that particular modern adaptation in this particular post, instead just focusing on the other three…

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Review: The Twilight Saga – Breaking Dawn Part Two

Ok… I am going to admit, the main reason that I wanted to see this movie was because of the fight scene. The one scene in the movie that is blatantly not in the book. I know when I read the book (and yes I will admit to reading the book, no shame in that… much) I was supremely disappointed that there was no battle, just one massive chess match. Especially since Alice had a vision that showed that some number of the Cullens (if not just Edward and Bella) and other vampires would not survive the Volturi’s visit in some capacity.

I wanted to see how that would have played out, who would have survived as well as how and who did in the battle?

What we know from the books:
- Jacob and Renesemse survive
- Bella and Edward die
- Other members of the Cullens die

That’s about it… Well not really.

Later in the novel (towards the end to be exact) Edward mentions his theories as to why and how the Cullens and company survive. His speculation was that Bella defensive shield was enough to throw Aro and the Volturi off to the point that battle was more than evenly match… Edward admitted that the Cullens and company would have sustained heavy losses but so would the Volturi. If there is anything that Aro hated it was losing… in any capacity.

After watching the film, I finally decided that the best bit of the series was the faux-battle scene that happened. Yes it was just a future that Alice saw as long as Aro continued on his path to destroy the Cullens, but still that was one damn fun battle to watch.

So what actually happened in the battle?

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Fleeting: Joss Whedon’s adaptation of Shakespeare’s “Much Ado About Nothing”

For anyone that knows me, you would know that my favorite Shakespeare comedy would be “Much Ado About Nothing” (with “Twelfth Night” being the sentimental second). So when word got around in late 2011 that Joss had completed filming an adaptation of said Shakespeare comedy… let’s just say I got all obsessed about it very very quickly.

Why? Because Joss not only adapted my favorite comedy, but he also brought on board a vast number of actors from his previous projects… and considering how big of a fan I am of the science-fiction / fantasy / comic feel that Joss tends to create… well what do you expect.

That and the fact that I am a MAJOR Nathan Fillion fan (though you probably wouldn’t know it at first glance).

So why am I in such a tizzy? Well because of this:

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Reflection: Oscars Snub at the VFX Industry

See this?
20130226-122012.jpg
Yes… it is a big blob of green… or more specifically the green used for the “Green screen” for visual special effects.

But let me go back a bit…

One of the things that bugged me was the botched up (and semi-funny) presentation for the Visual Effects award done by The Avengers clan. At the moment I am sure a lot of us were just rolling our eyes, but when I started listening and relistening I realized something…

It felt like they were goofing and stalling… why?

The San Francisco Gate said it best:

Biggest Oscars snub: A shark attack on the VFX industry

What happened? Well according to the SFGate.
Well they turned on the light to the one thing that was bugging me during Bill Westenhofer’s thank you speech… specifically right when he was cut off:

Sadly, Rhythm & Hues is suffering serious financial difficulties now…. I urge you all to remember…

Not only that, but the producers of the Academy Awards cut him off using JAWS musical.

Sadly, I will admit it was rather funny in the moment… which was probably what the producers were going for… but in hindsight reveals something far more sinister.

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Fleeting: Modern Adaptations of Old Classics (Shakespeare Edition)

Being a lover of Shakespeare, I am always on the look out of modern adaptations to some of Shakespeare’s works. Some have been hits (for me) others have been misses (you gotta have some) and some fall in the in between.

So what worked for me may not work for you guys, but hey, that’s what opinions are for, no?

Keep in mind these are adaptations that are also modernized… I will not be looking at pieces like Baz Luhrmann’s Romeo and Juliet… which is essentially the play with a modernized feel, what’s the point.

ROMEO AND JULIET
West Side Story
This has got to be the most obvious. Taking a look of who kills who, what happens to whom and most of the ending (Juliet doesn’t really kill herself as much as she may want to). It is well written, well composed, and chock full of dancing, singing, and drama. Classic in a Romeo and Juliet piece.

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Fleeting: Miss Saigon Characters (Wish List: Round One)

Still no update on whether or not a Miss Saigon film is a “go” but I figured that as an extension of my original “wish list” in regards to a possible Miss Saigon film adaptation… I’ll provide my idea / vision of the character breakdown for various character parts.

Keep in mind I prefer to stay away from “fantasy casting” so don’t be expecting me to do any “name dropping” as it were. Though thinking this through I think it would be best if I broke this down into two posts… one for the Vietnamese only characters and another for the non-Vietnamese cast. Also (time-permitting) I’ll list out all the side characters from the original Miss Saigon musical that have bit parts in the songs that I think are significant enough to have decent cameos (if necessary).

So to make my life easier (and I’ll explain why in the next post) I’ll work on the non-Vietnamese characters first… these will include the obvious: Chris, John and Ellen… and I will add in “The Engineer” as well to which I will explain at the end of this post, but first:

CHRIS and JOHN
I think this would have been obvious. Americans… doesn’t have to be the stereotypical blond haired / blue-eyed Americans… or Caucasians, but heck anyone that you can see from the Army at some point during the 1970s. Sure the traditional look from musical theatre between Chris and John is one African-American and the other Caucasian, but it isn’t absolutely necessary. What is more necessary is how they look… do they look like they have been through the military boot camp of evil and tossed into an exotic place like Vietnam and rampaged through the jungles of the city of Saigon and not know what the heck is going on? Do they look worn down by the stress of war to the point that they are about to break?

ELLEN
So by extension Ellen (though obviously American) I feel should have a quiet strength to her. Someone that is steadfast, but not overbearing. A light at the end of the tunnel, someone who worked to be a sounding board for Chris for so long and is not only incredibly patient, she stands her ground… after all she is willing to “fight” Kim to keep Chris.

THE ENGINEER
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